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“The Transformation of Biological Precepts Into Mental Concepts” By Las Bellas Artes

21 Mar

“Transformations is curated by Las Bellas Artes. The goal of this group is to present contemporary Latin American art forms to New York, with boldness and flavor, yet intimately and honestly. They’re looking to stimulate the conversations between the New York art lovers and those artists and collectors in Mexico and Latin America. It’s a goal that will enrich both locations and leave them with a deeper understanding of who they are comparatively and in unity.” (P.J.S.)

New York, NY – P.J.S Exhibitions, an eclectic gallery on the cusp of New York’s Chelsea, West Village and Meatpacking District (238 W. 14th between 7th & 8th Ave.), presents Transformation, a collection of “mental concepts” from artists Juandrés Vera and Fernando Villalvazo opening on March 20th.

In Transformation, Vera and Villalvazo use nature as a guide to help the viewer reinterpret certain visual concepts, through the use of rhetorical figures. Their artwork examines how biological precepts (contained in visual images) are transformed into recognizable figures, given that the understanding of such images is the result of complex mental processes and activities. Although some of the work has been shown in past exhibitions, Vera and Villalvazo have created several exclusive pieces for P.J.S. Exhibitions. Curated by Las Bellas Artes, Transformation opens March 20th and runs through April 22nd, 2011.
In Juandrés Vera’s Soleidoscopium, the artist makes an analogy between the basic structure of the seascape and the field of view inside beverages, such as beer or wine bottles, to create figurative paintings that are also completely abstract. In the series Insomnio, artist Fernando Villalvazo takes subjects that already exist in nature such as animals and trees, and transforms them into completely unique objects, by using the printmaking technique called etched dry point, wherein the artist uses a superfine needle to scratch directly onto the paper to create a visual.
“I am excited to dive into the Latin American art world, “ says Patrick Sullivan, founder and director of P.J.S. Exhibitions.” “I am especially glad to be working with an organization such as Las Bellas Artes who are deeply rooted in Latin American culture.”
In 2003, Juandrés Vera became inspired by the theme of urban transport and began his artwork on easel painting. By 2007, he was painting ephemeral interventions, also known as street painting or “madonnari” and began displaying his work in the US, UK, Italy and Mexico. Fernando Villalvazo began showcasing exhibitions throughout Mexico in 1993. He has received honors such as the V Binational exhibition Siqueiros-Pollock (Chihuahua -Texas) in 2001 and has worked with art and fashion brands such as Absolut Vodka, Hugo Boss, and Lucky Strike.

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Nights of lust, wrestlers fighting evil brains… Count us in!

24 Feb

This series of Mexican movies screenings is promising nights of lust, wrestlers fighting evil brains, a pre-Hayek Frida Kahlo… and popcorn with lots of salsa.

Simon del Desierto An Introduction to Mexican Cinema: Times of Decadence Installment 1

Date: Tuesday March 1st (Subsequent screenings will take place March 8th and March 15th)
Time:
8:00 PM
Admission: $5
Presented by
Salvador Olguinat Observatory: 543 Union Street (at Nevins), Brooklyn, NY 11215. Directions here.

Spawning world-renowned directors like Guillermo del Toro (Pan’s Labyrinth, Hellboy), and with Alejandro González Iñárritu’s Biutiful currently nominated for two Academy Awards, Mexico’s film industry has established a name of its own. But few people know the history of Mexican cinema, or have access to some of its early films. During this series of talks, we will provide a brief introduction to this history, show a few clips, and present screenings of films from a pivotal moment in the development of Mexican cinema: the times of decadence around the decade of 1970.

During the 1930’s and 1940’s the industry reached a peak. This period is still remembered as the Epoca de Oro (Golden Era) of Mexican cinema; it generated several super productions, saw the rise of films of great quality, and was extended well into the 1950’s and 60’s by the work of great directors such as surrealist filmmaker Luis Buñuel –who was born in Spain but acquired Mexican citizenship. By the second half of the decade of 1960 things started to decline, and the quality of films weakened. However, some interesting things happened precisely during that era of decadence. Surrealism was mixed with lucha libre, rock and roll with science fiction, and Mexico’s own cultural and artistic heritage was put together with experimental filming techniques. The result of this melting pot stretches from genius to plain weird.

Each night we will present a special (surprise) screening. Join us for three nights of lust, wrestlers fighting evil brains, a pre-Hayek Frida Kahlo and other delicacies in these screenings of obscure, rarely seen films of Mexican cinema’s times of decadence.

Salvador Olguin has worked extensively with Mexican cultural artifacts related with death. He is the author of Seven Days, a multimedia theatrical piece that celebrates the convergence of traditions and hybridism that characterizes Mexico’s fascination with mortality. His book of poetry The Portuguese Man O’ War was recently granted an award by Mexico’s Council for the Culture and the Arts.

More info

“La esquina” Museo del juguete popular mexicano

4 Jan

Siendo uno de los primeros  museos de este tipo en nuestro país cuenta con una muestra original de juguetes rústicos y artesanales de las diferentes regiones del territorio nacional, la finalidad de este museo es conservar el arte y las tradiciones mexicanas,  mostrando la diversidad artística, las diferentes etapas y transformaciones que ha vivido esta forma de arte en nuestro país.

El museo se encuentra localizado en la ciudad de San Miguel de Allende, Gto.

www.museolaesquina.org.mx

“Pie Derecho” en El Mundo

12 Dec

“En la edición de diciembre, ‘Pie Derecho’ incluye un reportaje sobre ocho exitosos artistas mexicanos que han llegado a Nueva York en la última década. Entre ellos destacan la conductora y fundadora de la Philharmonic of the Americas, Alondra de la Parra, el arquitecto Enrique Norten, creador de espectaculares edificios en la ciudad, la protagonista del musical Chicago, Bianca Marroquí, y la cantante de jazz Magos Herrera…”

Fragmento del articulo “Los 12 eventos del año en NuevaYork” por el periodico español “El Mundo.es”.

Articulo completo

Pie Derecho Magazine

www.piederecho.com

Life as a performance

9 Dec

DAMIAN SIQUEIROS:
LIFE AS A PERFORMANCE
Curated by Las Bellas Artes- NEW YORK, NY


Damian Siqueiros “Life as a performance” Press Release

A photographic series that belongs to the Life as an everyday performance project, gets its name from the trademark date for society to dictate what a couple should be.  Damián Siqueiros uses digital photography as a medium to erase the boundaries between reality and fiction. His work thus produces images that are reminiscent of the aesthetics of Romantic paintings through processed light or the mise en scene of his characters. With Life as a performance, Damián explores the influence of society and religious institutions on a couple’s identity, construction, and perception. It seeks to create a dialogue between viewer and image, and bring into question one’s own identity; he continues his research on the use of the archetypical structures of classical painting in photography, to approach topics of relevance to contemporary society.

His formal language becomes both literal and metaphorical, as he works with the super-imposition of images and proposes identity (specially gender) as a “montage”. In the same line of thought, the change of perspective on the use of space is also a poetic way to express his will to make people reflect on how they see their own identity.

Of Mexican origin, Damián Siqueiros has already won numerous awards including the Coup de cœur award by Art Souterrain 2010, and he is one of the winners of the 2010 Xpose Canadian Association of Photographers and Illustrators in Communication (CAPIC) and Las Bellas Artes Art Contest 2009. Prestigious magazines including Vogue and Elle are using the aesthetic and artistic signature in their own photos.

Some of the work has been part of previous shows and some has been exclusively created for this exhibition. The exhibit design will be an installation in situ in the new gallery at Casa Mezcal and Michael Barakiva, theater director and producer, will present and introduce the artist and his work.

ABOUT CASA MEZCAL:

Located in the Lower East Side, 86 Orchard St. New York, Casa Mezcal brings Oaxaca to New York City. Combining with art, music and cinema, the house of Mezcal embraces the tradtition of this ancestral beverage, delivering its unique flavors, images and scents to those who fall under its spell.

“Comedy” Ricardo Cucamonga

29 Nov

A partir de noviembre 17 y hasta diciembre de 2010 se presenta la exposición “Comedy” del artista gráfico mexicano Ricardo Cucamonga en Galería Lacoope de San Pedro Garza García, Nuevo León, México.

“Comedy” es una selección personal de cartones humorísticos de Ricardo Cucamonga (nombre de autor de Ricardo A. Velderrain Castro); donde la risa, el sexo, la muerte, el psicoanálisis y el sabroso desmadre son abordados desde la particular visión del autor; ilustrador e historietista para diversos medios latinoamericanos.

Ricardo Cucamonga ha desarrollado personajes y publicado tiras cómicas e ilustración desde 2001 para medios impresos y electrónicos como “Revista Nick” (Canal Nickelodeon), “National Geographic Kids”, “Electronic Gaming Monthly en Español”, “Eres Niños”, “Cinemanía”; asi como el suplemento electrónico de música alternativa “Trece:Veinte” de Reporte Indigo y en las ediciones del diario Publimetro Monterrey y DF. Es ilustrador de las 2 ediciones de”Mi Libro Verde” de Fundación Televisa.

Asimismo, ha llevado a cabo talleres y cursos para Museo MARCO, la Universidad Autónoma de Baja California, CEDIM y su alma mater: el Tec de Monterrey. Fue invitado especial del Salón de la Caricatura del CECUT Tijuana 2009. Además, participó como conferencista y tallerista al 8vo. Encuentro de Caricatura e Historieta de la Feria Internacional del Libro de Guadalajara en noviembre de 2009. Su tira cómica “Regiolandia” se publica cada viernes en el diario deportivo “Récord” Monterrey desde septiembre de 2008. “Sabiduría de Cindy la Regia” se publica cada domingo en el diario Milenio Monterrey.

Ha participado en diversas colectivas en Ciudad de México (“Del paquín al webcómic: Los caminos de la Historieta Mexicana”, Centro Cultural España, Octubre 2010), Monterrey (Colectiva Amoretones, Art Club, Marzo 2008), Tijuana (Salón de Arte en Secuencia y Humor, Noviembre 2009) y Buenos Aires (Festival “Viñetas Sueltas” en La Recoleta, Mayo 2009).

REAL LIFE ISSUES: ART SHOW OPENING: Thursday, December 9th

26 Nov

RSVP and contact info: Ares Casado, Manager and Producer, Nodal Art : arescasado@gmail.com

REAL LIFE ISSUES

Curated by Francisco Benítez

____________________________________________

December 9th OPENING RECEPTION 6-10 PM December 10th GALLERY OPEN 10-6 PM ANGEL ORENSANZ FOUNDATION, INC 172, Norfolk street, New York

____________________________________________

Participant Artists: Tomás Hache, Jessica Salinas, René Almanza, Uriel Marín, Darío Ramírez, Gerardo Otoniel, Marina Gullco, Daniel Berman, Adriana Vázquez-Ornelas, Rebeca Olguín

A Lot has been said about this recently, but it is an unavoidable issue. Mexico is going through a period that is the result of a long social instability. Although this has a general social implication, particularly affects each region of the country in a different manner. This is part of a multifaceted reality, that involves each one of its layers and supplies a broad scenario, providing context for everyday life and its issues.
Based on this, artistic projects can be developed in a period of reformulation and expansion of the current artistic environment. This has taken the individual artistic process into areas that have aspects in common and that link social, political and economic circumstances in a very implicit manner.
This exhibition offers an individual artists perspective on the issues of their daily environment and circumstance, such as politics, cultural symbolic values, issues of power and sex and doses of humor, among others.
The exhibition features emerging Mexican artists, whose artistic processes consist of a mixtures of unconventional and traditional mediums such as painting, drawing and engraving, as well as object and photography installations. Some of the work has been part of previous shows and some has been exclusively created for this exhibition. The exhibit design will be an installation in situ.



Conversation series at CCNY: Livia Corona and Omar Gámez

17 Nov


Livia Corona in conversation with poet Gaspar Orozco.

Livia Corona (Lives in New York and Mexico City) is a John Simon Guggenheim Fellow, awarded for “Two Million Homes for Mexico ” and has published Enanitos Toreros and Of People and Houses. Corona’s lectures and exhibits internationally at venues including The National Museum of Anthropology, Mexico City; Ballroom Marfa, Texas; Photo España, Madrid andPhoto Paris, France.

Omar Gámez in conversation with curator Aldo Sanchez and photographer Allen Frame.

Omar Gámez (Lives and works in Mexico City). He received his MFA at the San Carlos Academy, UNAM, in Mexico City. His video and photography work has been exhibited in cities including Havana, Buenos Aires, New York, Barcelona and Greece. In 2009 he published his first monograph The Dark Book by RM Publisher. His work has been acquired by public and private collections in Mexico and New York.

Friday, November 19, 6pm
at the CCNY studio.

Omar Gamez
Livia Corona

The Camera Club of New York
The Arts Building
336 West 37th Street, Suite 206
Between 8th and 9th Avenue
New York , NY 10018
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